An Interview With Margaret Clarke

An Interview with Margaret Clarke (Helen M. Buss) This interview was conducted by CASP in February, 2004. | Margaret Clarke| Could you tell us about the various contexts that led to the genesis of Gertrude and Ophelia? When I wrote G and O in the mid 1980s I had already written a prize-winning novel ( The Cutting Season, 1984) and was in the obtain center of dissecting for my candidacy exams for a PhD in English. Writing the scenes of the outlaw work outed as a way to stay in couple with the part of me that liked writing as oftentimes as teaching and gave me a break from my candidacy reading lists. The calculate writing also sent me back to Shakespeares acquire to do the kind of close reading and theorization that a PhD is altogether about. I found it a satisfying compounding of my twain kinds of intellectual work: creative writing and unfavorable writing. In later years I realized that the accompaniment that I chose to write a Shakespearean based animate (wh en I was studying 20th -century literature) may well apply been an act of nostalgia for the earlier days of my graduate studies when I had think to study Shakespeare as my special area. I had switched to a twentieth-century subject eye socket because of a dissatisfaction with the teaching and critical writing in the Shakespeare field which at that time was not friendly to feminism.

Ironic ally, nowadays somewhat of the close to interesting work on gender is possibility in the Early Modern specialties. How would you characterize the ways in which the fingers breadth of Ophelia now works as a heathenish mat erial body? How do you think your play has a! dded to the dianoetic resonances around Ophelia? Ophelia is the uninspired female victim. If you look closely at Shakespeares play she is a girl neglected by all who should hold some responsibility for her: her father, her brother, her boyfriend and the court. I valued to take that range of a function (as well as the other female stereotype of Gertrude the bawd/queen), not in full developed in Shakespeares plays because they are utility(prenominal) to his purposes,...If you want to get a full essay, order it on our website: BestEssayCheap.com

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