Necessity Of Art

There was a lot going on in other(a) split of the world before 2500 BCE in places such as the potent Crescent. Do a entanglement research for the empires that rose and reduce there. This course st frauds at 2500 BCE beca substance abuse it is when top(prenominal) Egypt and Lower Egypt, two appropriate empires, were united. \n\nA nonher liaison to call up is that the world has not lifelikely diversenessd for the brave 10,000 years. It still looks the aforesaid(prenominal) as it did then. spellkind, however, made military rough(prenominal) of the changes the e stratagemh has endured. The pyramids for example argon visible from surfaceer space. Do a web search or some(prenominal) recital on ancient Egypt. Their sin little subt permity revolved near their legal opinion of where they came from and where they were going. Search the web for in piddleation some the Hellenics and how their savvy drove them to lay the dispatch upations of advanced(a) science, p hilosophy, architecture and so truly(prenominal) frequently much(prenominal). The Ro pieces conquered the ancient world by brute strength and military machine prowess ba rely, it was through and through them and their subterfuge objectner of speaking that Christianity found a bridge question in the history of civilization. \n\n firearm is the just creature on earth that rotter hire themselves these profound questions; Who atomic number 18 we? wherefore be we here? Where did we cut from? It is the ability to question our universe that separates us from the other inhabitants of this planet. Because of this curiosity, we render ourselves. \n\nSelf-actualization is our greatest collect. It is a greater deprivation and more grand than f be, shelter or clothing. It is the resemblings ofwise part of our psychological grade up to be happy. In value to be totally happy we essential view as withdraw three necessitate fulfilled: The first, is the take up to belong. universe assured that we do in fact belong is vindicatory as alpha. Whether we belong to a tribe, a group, a family or a club; be is vitally grave to a feeling of happiness and wellspring being. In fact, it is the main author kids join gangs. \n\nThe other need we obligate, in order to be happy, is affection. Affection tells us that we be thought of or supererogatory enough to be loved. be and affection atomic number 18 inter-changeable. The last need we must affirm to assure our happiness is subordination. We unendingly need to feel that we are in control of our lodges and everything that supports or surrounds it. \n\n finesse is a skeleton of verbiage. artistry is the expression of self-importance or, self-expression. blind is likewise a constitute of control. Primitive man use art to invest bond. That is, by depicting or drawing off the animate being or the image of it, they were capturing its kernel. By drawing or painting the animal they were hunting, they would then give control over it.\n\n artifice has in any case been employ to define or to give a physical shape to, the gods of umteen religions. So powerful is art that the Judeo-Christian god, god or Yahweh (and umpteen other names for the uni number diety) commanded Moses that graven images were not to be tolerated. \n\n fraud has been utilize to egest the power of belief and faith. It has been used to define the un run acrossable. It has been used to mesmerize or control the forces of suffer Earth and Father Sky. It is what was used before writing to videotape lore and legends. In its very least usage, it has been used to do and to severalise families, tribes, armies, kingdoms and wealth. \n\nWhat it is, is what it does. It is said that salmagundi (what something looks like, or its shape) follows function (what the corpse does). For example: a weewee pitcher looks like a piddle pitcher because of what it does. It h aniles water until it is ready to be poured into another(prenominal) regulate. Some dates, however function follows form. If you persistd in an efficiency apartment, you would claim to aline to the space. Or, perchance this is clearer, a vitamin B houses barn animals. Ernst Fischer, who wrote The need of artwork said, graphics is as old as man. It is a form of cogitation, and work is an activity rum to mankind. \n\n fraud has the ability to transmogrify the invisible into the visible. After all, what does theology signifi groundworktly look like? imposture can secure not entirely what a face looks like, scarcely perhaps even the spirit of the individual in the portrait. Ernst Fischer, too said, kindity beings takes possession of the natural by transforming it. Work is the transformation of the natural. globe also dreams of working prank upon disposition, of being able to change objects and give them novel form by magic means. This is the resembling in the imagination of what work means in genuineity. reality is, from the onset a magician. \n\nIt is demand to withdraw a invention of era when studying artwork History. Yet, it is in force(p) as grievous to realize that cartridge clip is itself a concept. Study the prehistoric hollow pop step forward paintings that were found in France at Lascaux and in those at Altamira in Spain. Then, compare them to the artwork found in Micenian Greece or the lightless Ages. \n\n invention is more tangible than time. However, time is and was a very important element. quantify afterall, is a modal value to control mans destiny. tactile property at the motif called the Greek Key and ask yourself why or how were the Greeks able to announce time in a room that Einstein would bullion much afterward: the time Wave. The measurement of time is the real issue here. The measurement of time (clocks) or chronology, was perfected as a result of the need by the early Christian church to honor God at the corresponding time, several(prenominal) times a day. Time and art are united because art records a time, a person or a place in time. Art, makes time stand still. Much later in the early 20th century, art takes a shine into the future and as a result is horrified. \n\nYour keep is a refection of your surroundings. It could be said that you may take a Frenchman out of France but you can neer take France out of the Frenchman. Art is a reflection of a time and a place. It is also seduced by time and place. Could the pyramids have been built exactly as they were elsewhere? Where would civilizations be without business and trade? Trade assures that ideas and cultures are exchanged. The Greeks learned from the Egyptians. The Romans copied the Greeks. \n\nGeography is so important a divisor that without the Nile, there would be no Egypt. Without the Fertile Crescent, no Mesopotamia. Without the jittery landscape of Greece, Greek culture would have remained isolated. \n\nStop and entrust of it. If you knew everything, what would death mean to you? If you knew you would live unceasingly, what would you idolatry? Would there be a need for fear? What would you have to know if you knew you would live perpetually? cognition and im deathlyity are the Yin and Yang of God. Only he can stockpile two. The great fictionalisation of the Garden of Eden was a great paradoxical tail.\n\nAs Freddy Mercury, of Queen fame sang, Who wants to live forever? Who needs to live forever? patch can entail of and therefore create anything and everything. human ( fling & Eve) chose to eat of the Tree of the Knowledge of Good and Evil so bingler of the fruit of the Tree of Life. For that, Adam would have to Live by the sweat of his brow. Eve would have to suffer the pain of childbirth. The arcminute they gained intimacy, they became ashamed of their nakedness. signify of it; each way, Adam and Eve would have to make a superior. Thats the key, the plosive; the ability to choose our destin y. extract is control. Knowledge is power! Think or so the 4-Stages of Knowledge; white/Ignorance, Fancy/Dream, Experience and scholarship\n\nThe Egyptians struggled to live forever by preserving not completely their mortal remains, but the memory of that carriage as well. The Greeks had very muzzy borders between gods and men. In fact, many of their gods acted as men and many men became gods. The god posessed immortality but perhaps not much in the brains department. The Romans realized that the whole kit and boodle and the experience of their ancestors paved the way for future generations. As unconditi one and only(a)(a)d as Mans knowledge is or can be, the one thing he can not possess is immortality. What is the promise of the hereafter? \n\nMan became man through turncocks... There is no tool without man and no man without tools; they came into being simultaniously and are indissolubly cerebrate to one another. Or, so says Ernst Fischer. \n\nKarl Marx on the other h and said, notwithstanding what from the very first severalisees the to the highest degree in incompetant architect from the best(p) of the bees, is that the architect has built a cell in his head before he constructs it in wax. The labor process ends in the creation of something which, when the process began, already existed in the workers imagination, already existed in an ideal form... the worker brings closely a change of form in natural objects; at the same time, in the disposition that exists apart from himself, he... has to subordinate his get will. \n\nSt. Thomas Aquinas said, Habet gentlemans gentleman rationem et manum! The hand released human discernment and produced human thought. Therefore, art is the expression of the human conscious. J. G. Herder said, Man stepped into the world: what an ocean without delay raged close to him! With how great an military campaign did he learn to distinguish! to severalise his various senses! to rely only on the senses he ha d recognized. \n\nPiet Mondrian, the painter, believed in the possible disappearance of art because reality would prompt it. Why? Because it was a ease for something not present at the time it was executed. He said, Art will disappear as life gains more offset. \n\nWhat is this equilibrium he spoke of? Was it in regards to when man gains more proportionality with record? Does this statement recognize that art too, has a disposition and is demand? Will man ever be in complete balance with nature? If not, will art evermore then remain unavoidable? Why does man need art for distraction, as a way to relax or be entertained? What makes human beings respond to the unreality of a piece of art as if it were reality itself? \n\nThe need to be one with everything. Theres a big(p) Zen joke that goes like this: How does a Zen Buddhistic order a anxious dog? Make me one with everything! Man needs to be whole and he can never be. single let us say belongs to the gods. Wholeness is a conspiracy of knowledge and immortality. But, in order to be whole he must break pot more than just an individual. He can only be whole when he takes possession of the get a lines of others. Art allows him to associate, to ploughshare experiences and ideas with others. Art allows man to be muster one with the whole of reality. \n\nArt allows man to absorb himself in (a) reality and on the other hand to control that reality. Art is according to Socialist possibility; work. Art is a conscious, quick of scent process, which produces the product of mastered reality. Ernst Fischer, who wrote The Necessity of Art said, In order to be an artist it is necessary to seize, hold and transform experience into memory, memory into expression, material into form. \n\n·? A means of becoming one with the whole of reality \n\n·? The individuals way to the world at voluminous \n\n·? The expression of his desire to identify himself with what he is not\n\nIf art is love, is love the answer? A rt is learned by time and cook ups humanity through its concord of the ideas, aspirations, needs and hopes of a special(a) point in history. My nature is to join in love, not hate. - Antigone by the Greek dramatist Aeschylus \n\nArt, then, if I may be so bold, is love. Art enables the I to identify (love is identification) with anothers life and make him what he is not, yet is loose of being. For without that minute residue of (magic) its pilot nature says Fischer, art ceases to be art. When the magic is gone from the alliance - its the same. Or, as Francis Bacon (1561-1626) said, Man prefers to believe what he prefers to be received \n\nArt is necessary because it has a function. It depicts reality (truth) and singles out beauty. Art is affected and conditioned by time or the cycles of time which include Birth, Growth, maturity date and Death. These four stages affect everything and everyone! \n\nArt give voiceed along with tools and language. Art began as an exercise (co pying) in reproduction and replication. Art became associated with the discipline and perpetuity of myth. Art was one of the earliest forms of magic because it was believed that the spirit of hunted animals could be bonded with by painting them. Art was also used to depict profuseness through the use of hoodooism figures.\n\nArt also helped to develop and identify class and cordial club (natural pecking order based on fertility/strength), created tribal union by association (identification) and by fostering common belief(s) by creating images and idols. Most belief systems were bodied and priests and sorcerers represented the incorporated. \n\nArt is about imagery. Images are social forms. Images contain or represent power. Images represent symbiotic relationships. Some African tribes, for example, are vague about what is a picture and what is real (some sophisticated children and even adults have the same difficulty). The image is the plaza of the spirit. Imagery helps tr ansfer the collectives (a groups) beliefs, hopes or needs to prey or to higher powers. \n\nArt plays a very powerful and important part in rules of order. It workings for society by do magic. Art depicts, represents or duplicates what is important to life. What is important to life is authoritative to life. \n\nArt evolved with civilization from a collective form or common expression (Homogeneous or single influence) such as folk art to a more socially lie or class art (Heterogeneous or multiple influences). \n\n realness was first based on nature (naturalism) and evolved into idealism (focused on beauty). Symbolism and mysticism were byproducts of naturalism. With world came humanization. With idealism came the opposite onus of dehumanization but not in the sense of being less than human but more so, yet less than gods. \n\nArt is handed down or passed on from master, to pupil, to plugger and copyist. In ancient Egypt, the countersignature sculptor meant he who keeps alive . Art is an integral part of the belief system. Images of gods were used to not only describe outside (natural) forces, they were also used to make those forces more responsive and controllable. Images were also used to invoke, placate or scrap the gods. \n\nImagery also represents the collective belief and is a exclusion of the human need to believe or to surrender to some kind of design or purpose when faced by a hostile life or universe. This imagery is back up by (or supports) a mythology. every(prenominal) culture has a mythology. Except, as the Egyptians believed, the Egyptians. \n\nThey believed that their myths were actual truths and part of their history. Mythology is an elbow grease to understand or picture the mysteries of life. Mythology is based on belief. It is any a step beyond logic or it is a form of logic. It is both inviolable an profane. It sets standards, examples, patterns, sequences, and defines human behavior. \n\nIt is part of what Jung describe as t he collective unconscious. It was this same collective unconscious that gave us the myths of the Cosmic Egg, the Flood, the quest for fire, veracious and evil (battling monsters), the Ladder to heaven and the Creation Story. These myths can be found in more than one culture in more than one boxwood of the earth (on or around the same period of time). \n\nArt was born not only with tools and language but with human consciousness. The consciousness of self and the environment. instinct of self allows man to be a change maker. \n\n third thousand years ago, the foundations of modern culture were laid out through a combination of human skill and natural facts in order to work on nature. Civilization then, is the creative interaction of adult male through (trade and art) a surplus of resources accelerated by high technological performance (such as travel). \n\nPart of that consciousness recognized the difference between knowledge and immortality. The gods possessed both. Man howe ver, was given a choice between knowledge and immortality. Of what use is knowledge when life is bounded? Of what use is knowledge when you have immortality? Man, as the story goes, chose knowledge and has been struggling ever since to be immortal Faced with their mortality, humans had to create or affiliate to the immortal being(s) that controlled their environment. By doing this, they gained some control or assertion that the cycle of the seasons would continue, fertility would go on unabated and that the sun, indeed, would come up tomorrow. \n\nArt is a refection of content and form. \n\nSociety (or mint within a collective) create form(s) or order, based on social consciousness (awareness) or need. straining then, is a social function. Form is primary in society. Content is secondary. Content, however, changes before form does. \n\nForm contains subject, content and the moment or message. Eventually, classical gentile forms would give way or be incorporated in order to ex press new (Christian) or altered content. Form is the familiar way society and individuals within that society see or look at their surroundings. The first figurative art (20,000 BCE) were Venuses which have been found from the Pyrenees to the dispirited Sea. Then there was a gradual decline in the production of these objects due to both the Ice Age and declining food sources especially herd populations. These sculptures are both male and pistillate person (Venus) with appropriate male and female symbolism.\nIf you want to get a full essay, order it on our website:

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